Gounod revised the work into its present form setting the Ave Maria text in 1859 for a concert featuring soprano Caroline Miolan-Carvalho. Other settings from 1853 are for violin solo, 6-part chorus, organ, piano and orchestra, with a different Latin text (Méditation, CG 89). The earliest setting, in C major, seems to be the one for violin, piano and optional organ (CG 89a). WorldCat Wikipedia VIAF: 186237080 BNF: 139126203Īlexandre Batta (violin), Société des jeunes artistes (chorus, orchestra)īach's original is 35 bars. Méditation sur le Premier Prélude de Piano de S.
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2.2.24 For Saxophone and Organ (Brunet).
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2.2.22 For Instrument and Piano (Larocque).2.2.21 For Voice, Violin and Organ (Taupin, Veittes).2.2.20 For Violin, Cello and Piano (Buechner).2.2.19 For 2 Violins, Viola and Cello (Kowalewski).2.2.18 For 2 Violins, Viola and Cello (Fine).2.2.17 For Mezzo-Soprano, Tenor, Marimba and Piano (Masotti).2.2.16 For Clarinet, Violin, Cello and Piano (Nagata).2.2.15 For Mixed Chorus and Piano (Sakellarides).2.2.14 For Mixed Chorus and Organ (Igoa).2.2.13 For 3 Violins, Viola and Cello (Karaca).2.2.12 For Voice and String Quartet (Fine).2.2.11 For Soprano, Violin (Cello), Cello, Organ and Piano (Gounod).2.2.10 For Soprano, Horn, 2 Trumpets, Tuba and Organ (Alici).2.2.7 For Flute, Piano and Strings (Karaca).
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